SageGreenJournal.org
voices out of the West, mostly poetry, personal to planetary
Art Beck
San Francisco, California
Art Beck has published several collections of poetry and poetry translations, most recentlyLuxorius Opera Omnia, a Duet for Sitar and Trombone(Otis College, Seismicity Editions), which was awarded the 2013 Northern California Book award for poetry in translation. His poetry and essays have appeared in a wide range of literary journals, includingAlaska Quarterly, Artful Dodge, OR, Sequoia, Translation Review,and in anthologies such as Heyday Books’sCalifornia Poetry from the Gold Rush to the Present
andPainted Bride Quarterly’s 20-year retrospective. He was also a regular contributor toRattle‘s since-discontinued e-issues with aregular series on translating poetry.
Art Beck is currently at work translating a large selection of Martial for a volume potentially entitled Mea Roma.
2 poems by Art Beck
Angel Rain
Do you remember Hemingway’s sad heroine
who was afraid of the rain she said
she saw herself dying in it and didn’t
Mozart and think of poor Chopin
in love on Mallorca feeling the storm bubble
like an icy ocean at the bottom
of a well in his shivering lungs.
It’s only earth that loves rain that sucks
it like an angel’s kiss into its greedy, dirty
mouth. It’s only earth that teaches us
to listen for the almost invisible sigh of feathers
against the air, of wings shaking off water
like fear. It’s only when clouds
hide their hearts from the sun that angels
dare to remember how sweet it was to be a bitter
animal astonished by their sudden grace.
Evolution is Arrogant. Human Nature is Cruel.
The Discovery of Music as We
know it - not just a song or a chorus, but all
the complicated instruments, the conscious
language of the orchestra -
must have started to happen - what? -
only seven or eight hundred
years ago. And until then, a whole
class of people would have existed,
for hundreds of generations,
who were musicians but could only practice
by imagining silence:
Composers whose material was a certain
unameable lack in their lives.
Think of Rimski-Korsakov’s great, great
great grandfather, a dozen
times removed, wondering
if he might be insane, getting disturbed
because the compulsive chants
and dances of his muddy village
made him gnash his teeth
and pucker his lips,
to keep himself from
mouthing those unspeakable,
alien, angel tongue noises
that attacked him even at his
workbench at noon, while all
the other blacksmiths just
grunted and hammered their
horseshoes and nursed their vague,
shamefully private dreams of flying.
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